Two Exhibits at Componere Gallery of Art, May 1-26, 2012

Tuesday, April 17th, 2012

 

Two Exhibits: “Painted Moments” & “Earth & Fire – Opus 3”
Where: Compônere Gallery In the Loop”  6509 Delmar Blvd., St. Louis, MO 63130
Exhibit: May 1-26, 2012, during gallery hours
Gallery Hours: Monday-Thursday, 11 a.m.-5 p.m. | Friday & Saturday,11 a.m.-9 p.m. | Sunday,1-5 p.m.
Exhibit is free and open to the public. www.componere.com

Exhibit I: “Painted Moments” by John Lautermilch   Media: oil

About the Exhibit: The “Painted Moments” exhibit features paintings glorifying one of the simple pleasures of life: the beauty and tranquility of a quiet lily pond. Although the light, color and mood of a lily pond change throughout the day with changes in the sunlight, breezes and other natural forces, any single moment can be captured and immortalized in a painting. The same characteristics are reflected in Lautermilch’s underwater scenes. “One can spend a lifetime and never come close to capturing the full beauty and tranquility found in the natural world,” Lautermilch says.

About Artist John Lautermilch: John Lautermilch, a native St. Louisan, began painting at the age of eight and won his first art show in elementary school. After he graduated from the Washington University School of Fine Arts, which he attended on scholarship, the St. Louis Art Museum accepted his work for exhibition at its annual show. A prolific photographer as well as a painter, Lautermilch has won numerous awards and prizes at art shows throughout his career.


Exhibit II: “Earth & Fire – Opus 3″ by David Midkiff   Media: ceramic vessels

About the Exhibit: The ritual vessels in this exhibit –– extraordinarily embellished chalices, flasks and covered containers –– were created for ceremonial use. Midkiff instills heightened visual and tactile contrasts in the pieces through the use of wheel-thrown and hand-built elements, highly textured surfaces and the ancient Japanese raku firing technique with its contrast between matte-black clay and glittering metallic glaze. The vessels function like any ordinary containers, but their resplendence elevates them as objects to be treasured, displayed and used for very special purposes.

About Artist David Midkiff: Born and educated in Arkansas, David Midkiff has taught art and chaired the Department of Art at Williams College since 1987. Earlier, he taught high school for 12 years. In 2005, Midkiff was awarded the Arkansas Art Educators Higher Education Art Educator of the Year Award in recognition of his distinguished service in art education in the state. His work has been shown in competitive and invitational exhibitions in Arkansas, Illinois, Louisiana, Tennessee and Washington, D.C.

Gallery Talk for “A Means to Meaning: The Triptych” at the Regional Arts Commission

Monday, March 26th, 2012

Join us for the “A Means to Meaning: The Triptych: Artists and Poets Offer Us Energy, Courage, Faith & Fun” Gallery Talk at RAC on Thursday, April 5.  The reception begins at 5:30 and the talk begins at 6:00.
 
In this exhibition, the work of six artists and six poets is inextricably linked.  Each artist created a triptych and is paired with a poet who has written a poem in response to the triptych.  The form of the triptych also refers to the triangular relationship between artist, poet, and viewer/reader.
 
If you have questions, please call Sarah at 314-863-5811 or e-mail sarah@stlrac.org.
 

A Means To Meaning: The Triptych: Artists and Poets Offer Us Energy, Courage, Faith & Fun

Wednesday, March 14th, 2012

Join us for the exhibition opening on Friday, March 16  from 5:30 – 7:30pm at The Gallery at the Regional Arts Commission.
 
In this exhibition, the work of six artists and six poets is inextricably linked.  Each artist created a triptych and is paired with a poet who wrote a poem in response to the triptych.  The form of the triptych also refers to the triangular relationship between artist, poet, and viewer/reader.
 
Poetry Reading – 6:30pm | Opening Night in The Gallery
 

Craft Alliance Teapot Exhibition Coming March 9!

Thursday, February 9th, 2012

Craft Alliance
 
Here is a fantastic article from University City Patch — the best resource on all cultural news in University City. Be sure to bookmark their page!

 

The opening reception for Craft Alliance’s new Teapot exhibition will be from  6-8 p.m. Friday, March 9 in CA’s gallery in the Delmar Loop.

 

“Throughout the world, the drinking of tea is an integral part of the social fabric, from the everyday sharing of tea amongst friends to the traditional tea ceremony in Japan. The common thread linking all of these tea-time traditions is the dynamic of sharing. For this exhibition, artists from all media (clay, fiber, glass, metal and wood) share their appreciation and interpretation of the teapot with CA. The roster of participating artists is impressive; this year’s exhibit includes 50 artists, 20 of whom are local or regional.

 

Craft Alliance also will present the glass and metal work of Robert Ebendorf, a leading figure in the studio jewelry movement. His found object jewelry has been shown in galleries around the world, leading to a retrospective exhibition of his work at the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C.

 

Internationally known fiber artist, Jo Stealey, will display her teapots created out of leaves and paper, while Ed Bing Lee showcases his intricately knotted pieces.

 

To complement CA’s increasing interest in wood, this year’s exhibition features more wooden teapots than in previous shows. Nationally acclaimed woodturners John Jordan and Dixie Biggs will both feature their work, as well as internationally known pioneer woodturner David Ellsworth.

HOT TEA, Craft Alliance’s 13th teapot exhibition, is partially underwritten by The Republic of Tea. Financial assistance for Craft Alliance’s exhibition series has been provided by the Regional Arts Commission, the Arts & Education Council, and the Missouri Arts Council, a state agency.

 

In conjunction with HOT TEA, Craft Alliance will present Sky High Tea: A Teapot Exhibition atLambert International AirportSky High Tea, Lambert International Airport’s first exhibition in their exciting new gallery space, focuses on twenty regional artists who are participating in this year’sHOT TEA biennial, showcasing teapots in glass, clay, metal, and fiber.

 

A few of the invited artists include well-known glass artist Susan Taylor Glasgow, ceramic artists Dan Barnett and Susan Bostwick, metal artist Michael Parrett, and fiber artists Ann Coddington Rast and Jo Stealey.”

 

Thanks University City Patch for the great news!

 

Show Your Love at Craft Alliance

Thursday, February 2nd, 2012

Craft Alliance Delmar Gallery Shop gives you many ways to show your love!

Featuring a Jewelry Trunkshow with Lisa Colby, a local artist who sculpts

beautiful sterling silver jewelry.

And Susan Freda whose knit jewelry creations have an ethereal quality!

Visit today for all of your gift giving!

Craft Alliance Delmar Gallery Shop

6640 Delmar Blvd *In the Loop*

St. Louis, MO 63130

www.craftalliance.org

(314)725-1177

Like us! facebook.com/CraftAlliance

Textile Variations/ New Directions opening at the Gallery at the Regional Arts Commission

Wednesday, August 31st, 2011

What: Textile Variations/ New Directions

Where: Regional Arts Commission

When: Friday, September 16, 5:30 – 7:30pm

The exhibition continues through November 6

 

You don’t meet many people whose CVs include “textile artist” and “biology Ph.D.”, but C. Alana Tibbets, an artist in the exhibition Textile Variations/ New Directions at The Gallery at the Regional Arts Commission (RAC), has no difficulty combining her two passions.

“I approach a new textile project in the same way I would a question in the lab,” she says, “with a foundation of knowledge and techniques and an open mind.”  Tibbets’ textiles themselves are unique as well.  Her three-dimensional cloth figures have human bodies and the heads of animals or birds, and may reference spirits or animal legends.

Curator Barbara Simon acknowledges that the exhibition “diverges from the conventional and becomes a synthesis of various creative techniques and explorations which results in an expression of personal imagery.”  One could argue that all art is an expression of personal imagery but there’s a fascinating blend of tactile, exotic, yet domestic and familiar elements in textiles.

All of the artists have a unique perspective on textiles.  Textiles embody material culture and the personal histories of their owners, important factors in Dawn Ottensmeier’s work.  Erin Dimick’s interests lie in the relationship between cloth and women’s lives.   As seen in Jo Stealey’s sculptural vessels assembled from handmade paper and leaves, textiles are a fusion of traditional and innovative techniques.  Rena Wood looks to Asian landscape painting and Color Field paintings of the 1940s and 1950s to create her work.  World cinema and the history of American art have greatly influenced Sun Smith-Foret’s pieces.  Marjorie Hoeltzel draws inspiration from nature, literature, and her own dreams.  The main themes of Nicole Ottwell’s work focus on handmade vs. machine-made and traditional vs. modern construction.  Laura Strand has channeled her sadness at losing her sister-in-law into her current body of work.

Textile Variations/ New Directions opens at RAC on Friday, September 16 from 5:30 – 7:30pm and is free and open to the public.  It continues through November 6 and is part of the St. Louis biennial collaboration event Innovations in Textiles 9.  The concept was introduced in 1995 with three participating galleries and now involves 19 venues that exhibit contemporary fiber/textile art.  Programs such as these continue to increase exposure and appreciation for textiles as an art form.

Innovations in Textiles 9 will hold two bus tours which visit all of the participating venues.  For more information and to buy tickets for one or both tours, please visit http://innovationsintextiles.com.

 

Gallery Opening for “Critical Mass Creative Stimulus 2011″ at the Gallery @ RAC

Wednesday, July 27th, 2011

Artists:  Emily Hemeyer, Sarah Paulsen, Alex Petrowsky & Lyndsey Scott

Curator: Sarah Colby

Gallery Opening: Friday, August 5 from 5:30 – 7:30pm

Gallery Talk: Thursday, August 18 from 5:30 – 7:00pm

Exhibit continues through September 4

 

Beginning in 2009, every year Critical Mass awards four artists a stipend of $1,000 each to assist them in creating work and expanding their horizons in these tough economic times.  In 2010, artists Emily Hemeyer, Sarah Paulsen, Alex Petrowsky and Lyndsey Scott received the award as creative operating capital in recognition for their outstanding work.  This exhibition features their painting, performance art, documentary film and animation techniques, and concepts of green lifestyles for the future.

 

Gallery hours: Monday – Friday, 9:00am – 5:00pm
Saturday and Sunday, noon – 5:00pm

 

Gallery location: The Regional Arts Commission
6128 Delmar Blvd.
St. Louis, MO 63112

 

Free parking in the lot behind The Pageant; metered street parking

 

 

Opening reception for “Point of Departure: Cbabi, Jarvis, Lobdell” at RAC on Friday, June 17

Wednesday, June 15th, 2011

Join us for the opening of “Point of Departure: Cbabi, Jarvis, Lobdell” on Friday, June 17 from 5:30 – 8:30pm at the Gallery @ the Regional Arts Commission, 1628 Delmar Blvd.

What do the following things have in common: a dollar bill, sketchbooks, a PVC and aluminum sheet, and three 24” x 48” canvases?  They’re all part of a series of four workshops, conceived by artists Cbabi Bayoc, Phil Jarvis and William Lobdell, which resulted in the creation of the 11 works in this exhibition.

In one workshop, Bayoc, Jarvis and Lobdell used an image of a dollar bill as a jumping-off point to create individual paintings inspired by the image.  In another, the artists traded sketches and created paintings based on those sketches.  In the third, the artists divided a photo into three sections and each artist reproduced his section of the photo in paint on a 24” x 48” canvas.  They then placed the canvases together to form one painting.  In the fourth workshop, after creating a collaborative sketch, the artists enlarged and reproduced it onto a PVC and aluminum sheet, and painted the final image onto this sheet.

Collaboration is an important challenge for these artists whose primary work is done independently and who have such different styles.  Equipped with his BA from Grambling State University in Grambling, Louisiana, Cbabi Bayoc began his career as a caricature artist at a Six Flags amusement park.  After he mastered the style, his illustrations appeared in Rap Pages magazine and he was invited to create caricatures for album covers and music videos.  His client list includes Coca Cola, Anheuser-Busch, SIDS Resource, singers and producers Prince and Erykah Badu, New Line Cinema, and St. Louis Children’s Hospital.

Like Bayoc, Phil Jarvis worked as a summer portraitist at Six Flags during high school.  He graduated from Washington University in St. Louis with his BFA in painting and went on to create hundreds of still lifes, landscapes, and portraits.  Jarvis’ varied career includes 23 years as a professional sign-maker, exhibitions at Mad Art Gallery and Art Coop, Best of Show awards at the St. Louis Artists’ Guild and the Women’s Caucus for the Arts among others, and commissions for full-room murals in several homes throughout the St. Louis area.

William Lobdell holds degrees from the Kansas City Art Institute and Webster University.  The scale of his works ranges from intimate to massive and though he is interested in many artistic media, drawing, painting, and sculpture are the most satisfying to him as an artist.  Lobdell has shown his award-winning work in nationally juried exhibitions and companies such as H & R Block in Kansas City, An American Place restaurant in St. Louis, and the Southern Methodist Heart Research Center in Paducah, Kentucky have collected and displayed his work.  Lobdell is active in his local art scene as a member of nonprofit artist groups where he frequently speaks and leads classes.  He also mentors artists in his community.

Though collaboration is difficult for these artists in terms of yielding to others’ visions, it also provides many opportunities for growth.

collaborative art